寫意人物畫水墨肌理表現(xiàn)研究

1、 編 號： 碩士學位論文 碩士學位論文 題 目：寫意人物畫水墨肌理表現(xiàn)研究 培 養(yǎng) 單 位： 美術(shù)與設(shè)計學院 專 業(yè) 名 稱： 美術(shù) 指 導 教 師： 呂子揚 研 究 生： 李雯珂 完 成 時 間： 2015 年 4 月 2 日 沈陽師范大學研究生處制 類 別 全日制研究生 √ 教育碩士 同等學力 II FREEHAND FIGURE PAINTING TEXTURE PERFORMANCE

2、 STUDY Abstract now to say ink texture of this topic, ever does not stop with China painting, only vocabulary show different. want to pay attention to line and so on are attributed to the “brushwork“, “pencil marks“. But

3、 these brush, the pen and ink dry, shade, moist, Kuse are just shows some texture effects, is precisely this brush, pen marks to create texture enriched the Chinese painting in the art expressive force, which makes it a

4、the artistic appeal. landscape painter Jing Hao in his book “style in mind“ in mention “pen four pad: that the ribs, meat, bone, gas. The vast and break that pen bar, upright and that the bone, trace draw unbeaten called

5、 gas.“ Theory. Although Chinese ancient is not the word “texture“, but the Chinese painting has always been very focused on line and the expression of ink on the material. the ink block must be “sub colored ink“. The anc

6、ient artists with their own practice verified that contains point, line, surface texture in character. Painter Wang Wei said in his book theory “tactic“: “in landscape paintings“. Prior to this Chinese painting is depend

7、ent on “colored“. Chinese artists are not only the visual aesthetic effect only in the water and ink to create change run and astringent, while also trying to also attempt to create a “trace“ of the aesthetic space of th

8、e spirit of art realm. Such efforts artists, but also reflected in the various dynasties painting theory. In these theories discuss most exquisite may be the natural texture and Chinese text between the associated theory

9、. Qing Zhu Ruoji in “Shi Tao painting quotations - Chapter eighth mountains“ discusses the “heaven and earth of the managers, Yamakawa No also. Much ink method. Here the “Qiankun reason“, “mountains and rivers of the qua

10、lity“ is the nature of all kinds of surface texture, and Chinese paintings but is taken from a natural texture of the mountains and rivers. Chinese painters through the characterization of these natural texture has gradu