從吳冠中油畫的表現(xiàn)形成過程看中西繪畫的融合

1、 碩士學(xué)位論文 M.D. Thesis 從吳冠中油畫的表現(xiàn)形成過程 從吳冠中油畫的表現(xiàn)形成過程 看中西繪畫的融合 看中西繪畫的融合 Wu Guanzhong oil paintings from the formation process of the performance the integration of Chinese and Western painting 鐘 艷 Zhong Yan 西北師范大學(xué) Northwest

2、Normal University III Abstract External painting oil painting, was introduced into China in more than a century, from the exclusion, to reluctantly accept to become an art form today is one, and has hundreds of thousands

3、 of millions of practitioners, can not fail to note any an advanced culture, and is a strong vitality. This is a brilliant achievement embodied the hard work of countless Chinese painters, artists in these efforts to exp

4、lore, the famous painter Wu Guanzhong's art practice in the long term, creating an unprecedented and unique style of Chinese painting and Western fusion language, expressions, visual effects and artistic achievement,

5、 his painting is the most concentrated reflection of this century, the various features of Chinese art, is a new milestone in China's oil nationalization, his research and exploration of modern Chinese painting has p

6、layed a positive role. In the 21st century, oil painting how to flourish, is placed in front of us is an important issue. Western oil painting in China, with five thousand years of history and culture of the country, ho

7、w to achieve new development, how to inherit and carry forward the national culture, while eclectic foreign advanced culture, and no longer as before, only the pursuit of classical rigid form. Wu Guanzhong, to fully unde

8、rstand the development of creative thinking and artistic innovation process, the promotion of Oil Painting, ink world of great significance. In this paper, Wu Guanzhong oil paintings as the entry point, through his pain

9、tings of the art features, from the shape, color and composition and other elements of the painting on the works of abstract expressionism of view the integration of Chinese and Western painting, so how to do the real pa

10、inting nationalization and modernization of Chinese ink. This thesis is divided into four parts, the first part of the works by Wu Guanzhong, the analysis of different periods, which summarizes the paintings of Wu Guanzh

11、ong, the aesthetic characteristics of the formation characteristics of abstract expressionism; The second part is to analyze the performance of the painting the reasons for the formation of style; third part discusses th

12、e integration of Chinese and Western painting, Chinese Oil Painting were discussed, Chinese ink painting, modern and international; fourth part of the social values and the Thoughts, from the nationalization of Wu Guanzh

13、ong's oil exploration achievements made to our contemporary artists: oil nationalization and modernization of Chinese ink, is a long-term exploration and practice of the process, we need to combine different backgrou

14、nd to continue their efforts to embark on a painting with Chinese characteristics, sustainable development. Keywords: realistic impressionistic nationalization of modern fusion of Chinese and Western abstract express