試論女性意識在近二十年漢語女性詩歌中的嬗變.pdf

1、華中師范大學(xué)碩士學(xué)位論文試論女性意識在近二十年漢語女性詩歌中的嬗變姓名：段風(fēng)麗申請學(xué)位級別：碩士專業(yè)：文藝學(xué)指導(dǎo)教師：李建中2001.1.1碩士學(xué)位論丈AbstractsGreatchangeshavetakenplaceinChinesecontemporaryfemalepoemsinrespectwithquantityandqualitysincetheprosperityofChineseliteratureinthe70’S

2、Whata∞thesimilaritiesanddifferenceswhenwecomparethefemaleideologyindifferentstagesoftheChinesefemalepoemsWhatistheirrelationshipintheevolvementprocessHowdoesthefemaleideologyaffectthelanguagetechniqueinthefemalepoemsWhat

3、effectsdoestheenvironmentofthewholeChinesecontemporarypoemshasonthefemalepoemsInthisthesis1wouldliketoanalyzethechangingofthefemaleideologyandthelanguagetechniqueofChinesefemalepoemsintherecenttwentyyearsTworelatedaspect

4、softherevolutionarychangeofChinesepoeticwritinginthe90’arediscussedinthefirstchapterofthisthesissincethechangingoftheprincipleofwritingfemalepoemsishappeningsimultaneouslywiththechangingofthewholeChinesepoeticwritingThat

5、is，thechangingfromyouthwritingtomiddleagewriting，from“what’to‘how”，fromwritingtheexperienceofthewholeuniontothatofindividualandfromtheessentializedwayofexpressingthetoricwayInthesecondchaptertwoperiodofChinesefemalepoems

6、aredividedThefirstperiodisbeforethe90’andthesecondisafterthe90’Astothefirstperiod；wecanfurtherdivideditintotwostagesThefirststageisrepresentedbyShuting’SpoemsThefemaleideologyreflectedinthisstageisakindofunconsciousaware

7、ness，alackofkeeninsightThesecondstageisrepresentedbyTangyapping，Hainan，andQuyongming’s‘‘Blackseries”Thefemaleideologyinthisstagehasdevelopedintoakindoffemalevoiceoftimeandisexpressedthrough‘‘Selfannouncement’languagecons