《簪花仕女圖》與《西斯廷圣母》中女性形象美之比較——淺議中西方的和諧美理想.pdf

1、西南大學(xué)碩士學(xué)位論文《簪花仕女圖》與《西斯廷圣母》中女性形象美之比較——淺議中西方的和諧美理想姓名：曲艷君申請(qǐng)學(xué)位級(jí)別：碩士專(zhuān)業(yè)：美術(shù)學(xué)指導(dǎo)教師：付念屏20100501兩南大學(xué)碩學(xué)位論文AbstractLadieswithheadpinnedflowerswiththemostglorioushtainoffemininebeautyaThelightoftheunitedstatesandwesternidealFineart，ins

2、tructingtheteachers’professionalFunianpingprofessorAbstractqUVanlUnIvuInthispaperamodeloftwoworksoftheWesternZhouFang’S”WearingLadies”andRaphael。S”SistineMadonna”imageofwomeninthecreationofartisticideasandspecificcompare

3、dtoexplainthetwoidealsoffemalebeautysimilaritiesanddifferences，”WearingLadies”emphasison“outsidetheterritory弱”thepursuitofthewaywithFalseandTrueperformanceofthearistocraticwomenofChinaandtheUnitedStatesweatherandunderthe

4、influenceofConfucianismandTaoisminChinafocusonfeelingandreasonformindandmaaerofinnerpsychologicalharmony”SistineMadonna”isaneraofbeautythroughthegraspofatypicalimage，Withtheexactproportion，perspectiveandstructureteproduc

5、ethecollectionofmanyofOurLadyoftheUnitedStateswithanimageofWesterntheologyandphilosophyundertheinfluenceofcomplementaryaesthetics，itrespectedtheexternalfornlofaharmoniousworkofartWestemidealofharmoniousbeautyaretopursuet

6、heintegrationofopposingfactorsofunitybuttheChinesearesomewhatinternalmentalharmonywhileWesternemphasisontheexternalformofharmonyThisarticlediscussesthefollowingfourpartstostart：First，selectthereasontocomparethesetwopaint

7、ings；2，”WearingLadies”andthe“SistineMadonna”Femalecomparative；Third，bycomparingtotheformationoftwodifferentamodeloftheUSoriginofthethought；4，thisideaofpsychologicaloriginundertheaestheticPaperconsistsoffourpartsoftheWest

8、ernimageoftwowomenwerecomparedThefirstpart“WearingLadies“andthe”SistineMadonna”anoverviewofartisticachievementThesecondpart”WearingLadies”and”SistineMadonna”ComparisonofFemaleThethirdpart，”WearingLadies”withthe”SistineMa

9、donna”women’SinterpretationoftheimageoftheUnitedStatestheideaofdifferentoriginsThefourthpartoftheTangandtheItalianRenaissancemoreaestheticpsychologydescriptionKeywords：femaleimagestheaestheticpsychologyharmoniousbeautyII