論中國(guó)意象油畫中的“虛”與“空”.pdf

1、沈陽(yáng)師范大學(xué)碩士學(xué)位論文論中國(guó)意象油畫中的“虛”與“空”姓名：邵占鋒申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：@指導(dǎo)教師：巫曉疆20090401論中國(guó)意象油畫中的“虛”與“空” IITHE VOILD AND VACANCY IN CHINA IMAGE OIL-PAINTING abstract At present, China image oil-painting has became one title without any disputati

2、on, and has become energetic force in china oil-painting. And it’s center conception is China culture spirit especially the “NATURE UNITY” cosmology behind the material brought from west. And the void in it is one of the

3、 best way to interprets it’s aesthetic character. In this paper, the author starting from the traditional Chinese aesthetics, comparing with aesthetic characteristics of western, studying the theory source of “void” and

4、“vacancy” in oil painting imagery, clarifying their character and expressions methods and expounding the role of them and their aesthetic value. Also in this thesis, it is clearly declared that the “void” and “vacancy” i

5、s the amalgamation and aesthetic integration of the Chinese culture spirit and the Western oil painting materials, but also is the inheritance and development from traditional Chinese culture. The author tried to explore

6、 the “void” and “vacancy” correlative matter through of China Image Oil-Painting inheriting from Chinese traditional aesthetics. The article related to a large number of famous works as an example to analyze the “void” a