民間曲調(diào)與現(xiàn)代和聲的完美結(jié)合——巴托克《八首匈牙利農(nóng)民歌曲鋼琴即興曲》技法研究.pdf

1、湖南師范大學(xué)碩士學(xué)位論文民間曲調(diào)與現(xiàn)代和聲的完美結(jié)合——巴托克《八首匈牙利農(nóng)民歌曲鋼琴即興曲》技法研究姓名：康珺珺申請學(xué)位級別：碩士專業(yè)：音樂學(xué)指導(dǎo)教師：黃洋波20080301ABSTRACTBartokisanoutstandingHungarianethnomusicologist，pianistandcomposeroftheNeoNationalisminMusicAsoneofthemostinfluentialcompose

2、rsinthe20thcenturyhesuccessfullyintegratedthespiritualessenceinfolkmusicwithcomposingtechniqueofWesternmodemmusic，createdsomedistinctivemusicworksandformedtheuniqueharmonytheoryofBartokImprovisationsonHungarianPeasantSon

3、gs，asoneofthefolkarrangementofBartok，distinctlymanifestshisharmonytheoryFarmoreimportant，theeightHungarianPeasantsongshaveasortofinextricableconnectionwiththefolkmusicofourcountryTheeightHungar腸nPeasantsongs，derivingfrom

4、the“ancient’’Hungarianfolkmusic，tosomeextent，havesomesimilaritywithourcountry’SpentatonicscaleinthemodeMeanwhile，theyalsohavesomedistinguishingcharacteristicsdifferentfromtheotherfolkmusicofpentatonicscale(includingourco

5、untry’Sfolkmusic)，duetotheirownidiographiccharacteristicsoftonalityandmelodicturns，etcWithathemeoffou(songandacomposingskillofvariationintone，ImprovisationsonHungarianPeasantSongsdemonstratesBartok’Sowntuneharmonytheoryi

6、ncisivelyandvividlyIntheprocessofharmonizationandaccompaniment，BartokemployedthecomposingtechniqueofWesternmodemmusicintofolkmusicandexpandedfolkmusic’Smodesynthesis，musicalintervalstructureofmelodyhorizontallyorvertical