日本“南畫”藝術形式的研究.pdf

1、湖南師范大學碩士學位論文日本“南畫”藝術形式的研究姓名：唐娟申請學位級別：碩士專業(yè)：美術學指導教師：鄭林生20050501ABSTRACTTheJapaneseculturehascloserelationtotheChineseculturefromtheanclenttimeItcanbeprovedbythehistoricalmaterials，thattheChinesetraditionalpaintinginSongand

2、YuandynastyhadgreatinfluencesontheinitiationofJapanesetraditionalpantinginShidingperiod。TheseinfluencescontinuedtotheJapanesebrushdrawinginJianghuperiod，whichwerestronglyaffectedbyChinesepaintinginMingandQingDynasty，ands

3、ubsequentlyruntomainstreamofJapanesesocietyTheJapanese1iteratipaintingisalsocalled‘NanhuaAfterMingandQingdynasty，thetraditionalpaintinginChinaandJapandivergedtotwodifferentareas。TheChinesetraditionalpaintingdevelopedto‘m

4、oxi’littleby1ittle，withemphasisoninterestingoffreehandbrushwork。Butinrecentfiftyyearsitisinfluencedbywesternpaintingsandstarttoadoptrichincolors，inkandnewcomposingTheJapanesebrushdrawing，however，COllietoexhibitsthestyleo

5、fJapanesenationafterTaoshanPeriodTherearetwocontroversialstylesduringthisperiodoftimethefirstisresplendentandmagnificent‘Shouyestyle’，andthesecondiselegantJapaneseliteratipainting。causedbythedifferencesofnaturalenvironme

6、nt，culture，civilian’smentalityandconsciousnessoftastebetweenChinaandJapan，theidenticalstyleofartwhichexistsindifferentterrain，finallyborndifferentcharactersForusingthesallletoolsandmaterialsandengaginginthesamekindofarti

7、sticcreation，thecommunicationinbrushdrawingbetweenChinaandJapaninrecentyearsbecomesoneoftheaspectsinChineseJapaneseArtCommunionThepurposeofthisarticleistoinvestigatetheartisticindividualityofJapaneseliteratipaintingKeyWo