近代上海文人及詞曲研究.pdf

1、By modern times in this article,we refer to the period from 1843 Shanghai opened the port to 1923 Nanshe dissolved.Shanghai,in the modern history of China,is by no means a local city,but the country's economical and cult

2、ural center and a cosmopolitan metropolis.So in discussion of Shanghai literatus,Ci and Qu,an overall view and a historical sight are indispensable to reveal the richness of the city,instead of merely some chorography.In

3、 this article,wewill follow three principles:One,whether the writer lived or practiced any writing in this city;Two,whether the writer portrayed this city in his article;Three,whether the article was published or issued

4、in this city——in other word,whether the writer held a group of regular readers.If the case tallies with any of the three,we will give account of it ."Qu",in our discussion mainly implies Legend Drama and Poetic Drama pro

5、duced by men of letters.Such stage dramas as the Beijing Opera,various local Operas and early modern drama are not included here.In its process of modernization,Shanghai kept in close contact with both Chinese tradition

6、and western culture.Living in a modern city,Shanghai literatus still yearned a lot for the past.The appearance of newspapers and periodicals left a great impact on Shanghai literatus and their works.Shanghai featured its

7、elf in Ci theory in its modern history.With literatus'identity,the fact that modern Shanghia Ci forum was basically composed of vagabonds leading a wandering life again verifies that it is a immigrating city.Qu,in modern

8、 Shanghai history developed as the city formed its characteristics.With the themes,playwrights laid much emphasis on the reality in contemporary dramas as well as historic ones.Most historic operas dealt with heroes and