亨德爾清唱劇《彌賽亞》演唱風(fēng)格研究.pdf

1、天津音樂學(xué)院碩士學(xué)位論文亨德爾清唱劇《彌賽亞》演唱風(fēng)格研究姓名：邢愛申請學(xué)位級別：碩士專業(yè)：音樂學(xué)指導(dǎo)教師：王傳娟周小靜200610233AbstractThistextmainlypassesmusicaliginsthedevelopmentofthereligionofearlierperiod，“Baroque”periodmusiccreationsstylewaitedseveralaspectstoinquiryintoh

2、owtheaccurateconfidenceHelispuretosingtheplay《Messiah》singonstagetheproblemofthestyle。Inthearticlewediscussedthedevelopment――ofthereligiousvocalmusicwkofthemusicaliginsearlierperiodofthereligionfromthe“saintchant”beginni

3、nguntiltheoperaispuretosingtheemergenceoftheplayStillcomparedtheHeloperawithpuresingtheplaytocreateinmusicwiththedifferentsimilarthatperfmthestyle，concretelyanalyze《Messiah》mediumthehumsaregrettoadjusttochoosethesegmentw

4、iththechusincludingtheoverturetentohumaregrettoadjustthesopranohumsaregrettoadjustwithchustheparagraphTothesongtypestyleofeachsongsingonstagethestylemethodsestoalltakeintothetreatisethusfurtheraffirm《Messiah》Besingingons

5、tagetheachievementontheartmakethereaderevenkeepperiodreligiousmusicthattheviewgroundcontrolled“Baroque”especially“puresingtheplay“singsonstagetheproblemofthestyle.Mainresearchpurposealsoispassthethoughresearchsummary《Mes

6、siah》ofsingonstagethestyleusedftheresearchresultsusuallysingingonstagewithteachingmakeourvocalmusicsingonstagetoonlylimitatthedemonstrationthewonderfulvoicenotonlybutmeberichwiththecontentthestylethatpassestosingonstaget