回到人間——試析清末民初武強(qiáng)木版年畫中的現(xiàn)實(shí)主義因素.pdf

1、河北師范大學(xué)碩士學(xué)位論文回到人間——試析清末民初武強(qiáng)木版年畫中的現(xiàn)實(shí)主義因素姓名：郭亞叢申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：美術(shù)學(xué)指導(dǎo)教師：王杰斌20100406IVAbstractContent:ChineseTraditionalNewYearPictures(CTNYP)postispartofthecultureofChinastraditionalyearBegantotakeshapewhenthescaleoftheSongDynas

2、tyMingQingdynastieswhenyoureachthepinnacleofprosperity.Withthedevelopmentofeconomyculturalconstantlyenrichthecontent.InitiallyfgodsthemeAfterthatcametheoperafigureslscapesflowersbird.WuqiangTraditionalNewYearpicturesisan

3、imptantpartofNewYearpictures.InthelateQingearlyRepublicanhavesignificantevolutionduetopoliticaleconomicculturalchanges.IncreasedthenumberofrealisticthemesasCurrentpoliticalIronicallycruptofficialsImprovementideasNovelty.

4、...ManyNewYearspicturesshowingastrongpatrioticfeelingsinside.Artistscomefromthebottomofsociallifeshowconcerncaretothesociallife.embodiesthehumstraightfwardwithadeepsenseofjusticeoftheacterofWuqiangpeople.ItistheuniqueDur

5、ingthisperiodbecauseofthestrongspiritofrealism.EndoftheQingBecauseofthedomesticrefmmovementtheWesterneconomicculturalinvasionpeoplessociallifeatthattimehasgreatchangethechangesalsoaffectedbythecreationofNewYearpicturesNe

6、wYearpictureshaschangedfrommodelingthemesiconsproductionprocessthisarticleanalyzesthereasonsftheevolutionofthisartExplethepaintingsofcontemparyartinthepossibilities.NewYearspicturesasimptantpartinChinastraditionalcultura

7、lheritageSincetheeightiesexpertsscholarshasbeentheimptanceattached.butfnowithaslostitstraditionalapplicationfunctionalityOldwkscomeintoamuseumthetraditionalartistheChineseGemmanycontemparyartistshavemadealotofartwksfromt

8、raditionalartwhilethetraditionalartitselfshouldbehowtodevelophowtoprotecthowtopass.AsanimptantperiodofdevelopmentofNewYearpictures.recombingofhistywouldleadustomedeeplymecomprehensiveundersting.Keywds:WuQiangwoodblockNew