“傳統(tǒng)的心境，現(xiàn)代的表情”——談當(dāng)代山水畫(huà)家傳統(tǒng)情結(jié)與表現(xiàn)新手法相融合的探索.pdf

1、南京藝術(shù)學(xué)院碩士學(xué)位論文“傳統(tǒng)的心境，現(xiàn)代的表情”——談當(dāng)代山水畫(huà)家傳統(tǒng)情結(jié)與表現(xiàn)新手法相融合的探索姓名：徐娜申請(qǐng)學(xué)位級(jí)別：碩士專(zhuān)業(yè)：美術(shù)學(xué)指導(dǎo)教師：方駿20090415南京藝術(shù)學(xué)院碩士學(xué)位論文 II[abstract] [abstract] The contemporary society is an advocate innovation, makes widely known the individuality time. Ea

2、ch landscape painters to build oneself unique picture style, but, they unceasing are carrying on each kind of attempt diligently, pursues is belonging to own picture “the expression”. However they are also are gradually

3、influenced China traditional culture grow, therefore the more or less retention to the traditional culture's sentiment of attachment, this is manifesting in the painter tradition mood. This article through the succes

4、sful landscape painter carries on the explanation analysis to the present age in this aspect's exploration, how does the deep research “the new expression” a better collision unify the traditional mood and the mode

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