論20世紀(jì)30~40年代中國合唱音樂.pdf

1、西南師范大學(xué)碩士學(xué)位論文論20世紀(jì)30～40年代中國合唱音樂姓名：秦露申請學(xué)位級別：碩士專業(yè)：音樂學(xué)指導(dǎo)教師：文思隆2001.4.1rL2iEEIEzⅡEz∑。2‘。。=——===————=—蘭Ei；!!!!E；=l_l=!—=!!!!!H‘DiscussingChineseChorusfrom1930’Sto1940’SContentAbstractMajor：MusicologyDirection：ChorusConductinga

2、ndTeachingSupervisor：AssociateProfessorWenSilongStudent：QinLuAswestcapitalismcountriesinbrekeChinainpolitics，economymilitaryaffairs，cultureandsoon，TheforlTlofchoruswasspreadedtoChinaabout20centuryAttheendofQingdynastyand

3、thebeginningofRepublicofChina，thefirstchinesechorusworksproducedbywestmelodizingtechniquecameintobeingCinesechoruscompositionwasthebeginningofwesternpolyvoicemusicalculturespreadingintoChinaandintegrating塒thChinesemusica

4、IcultureDudng1930’Sto1940’sfortherisingofChinesesocialmusicmovementthedevelopmentoftheprofessionalmusicaIeducationandthesummonoftimespidt，theproductionofchinesechorusdevelopedtoaflourishingnewphrasethatneverappearedbefor

5、eThethemerangeideaandartistryofchorusworksahaveachangeinquailtyThisarticlewillreviewtheoccudnganddevelopingprocessofchorusakindofwesternmusicaIculturalformandanalysisandstudycommonformcharacterofchinesechorusworksduring1

6、930’sandl940’sThisarticlehastwopartsThefirstpartmostlyreviewthedevelopeprocessofchorusinChinaafteritspreadedtoChina行Omthecomingintobeingofchinesechorus。thedevelopmentofchinesechorusandthefomlInganddevelopmentofchoruscomp

7、ositiongroupThesecondpartmostlyanatysisthecommonformcharactersofchinesechorusworksfrom1930’sto1940，sThisanalysisindudethecenIpositiveideathemeandcontentandmusicaIcharacterOudngthispedodchorusworkscomentobeingfromviolenta

8、ntiJalpanesewarThecon“l(fā)positivethemewasletting。newmusic。。asweaponstrivingforthepeople’srevolution，meansrepresentingandreflectingthepeople’slife。idea，feelingeventakeonmissionthatsummoneducateandorganizethepeople’(LvJi)dur

9、ingpracticalcomposition。manyworksproducedunder。artforart“viewpointOntheskilIofcompositiontheviewpointthat“westemizecompletely”and=takingothers’virtue。remedyingoneselfsshortcomingstudywesterngoodmusicskills，produce‘nation

10、alizingnewmusic”(HuangZi)embodiedmuchdistinctlyThechinesechoruscompositivepracticedudng1930’sto1940’sindicatesthatera。ideaangartarethespiritofworks，andthebasicguaranteeoftheworks’vitalityAsthereflectionandrepresentationa