歌劇魔笛中詠嘆調(diào)復(fù)仇的痛苦的演唱風(fēng)格把握

1、學(xué)校代碼：10270 分類號(hào)：J69 學(xué)號(hào)：13250231碩士專業(yè)學(xué)位論文歌劇 《魔笛》 中詠嘆調(diào) 《復(fù)仇的痛苦》的演唱風(fēng)格把握學(xué) 院 ： 音樂(lè)學(xué)院專業(yè)學(xué)位類別 ： 藝術(shù)碩士專 業(yè) 領(lǐng) 域 ： 音 樂(lè)研 究 生 姓 名 ： 蔡睿指 導(dǎo) 教 師 ： 諸伊諾完 成 日 期 ： 2016 年 9 月Abstract Shanghai Normal University Master of PhilosophyIIAbstractThe Ma

2、gic Flute, as the final opera composed by Mozart, is featured by its arias in theepoch of opera seria. Filled with gorgeous coloratura phrases, the opera requires the opera singers to have high singing skills and artisti

3、c expressive force in coloraturasoprano. The aria of the Queen of Night, “Der Hölle Rache kocht in meinem Herzen”, is the most famous soprano aria in the opera. Mozart shaped the character of theQueen of Night with

4、virtuosic period and depicted this ambivalent, complicated and dramatic role with difficult coloratura singing techniques. As the soul character of thewhole opera, the Queen of Night is offish, ruthless and august, while

5、 showing hermaternal instinct in details. Her contradiction and dramaticism are attractive andfascinating, promoting the development of the plot.This paper, based on the author’s own experience, analyzes the singing styl

6、e and singskills of the aria “Der Hölle Rache kocht in meinem Herzen”. It also proposes somemethods to apply the singing skills in performance, in order to help singers vividlyexpress the Queen of Night, the dramati